And reading Infinite Jest I am. But the decision to read it (to the schedule) was a last minute one – a pledge between me and a friend – made when I was already alternating between Wallace’s short story collection Oblivion and his non-fiction in Consider the Lobster.

The essays, articles and reviews in Consider the Lobster are often extremely long: Wallace records delivering one article to Rolling Stone, the magazine that commissioned it, and having his editor there point out that to run it at its full length would fill the entire issue’s text allowance and ‘might even cut into the percentage of the magazine reserved for advertisements’. This is because he digresses constantly and brilliantly. A review of A Dictionary of Modern American Usage expands into a whole discussion of language snobbishness and its implications for social issues like (for example) race, and of prescriptive versus descriptive ways of considering and teaching grammar (a preoccupation evident in Infinite Jest). Another, of the autobiography of tennis player Tracy Austin (tennis being very ditto), becomes a critique of the whole genre of sports biographies, and then, with remarkable empathy and psychological acuteness and with a swiftness like prestidigitation, turns the failings of these books (i.e. being uniformly tedious) into an element of another discussion – about the sort of personality necessary to perform and compete athletically at practically super-human levels. Not all the pieces in Consider the Lobster are great, but in those that are (and there’s more than a few) Wallace’s mind expands topics to new, sweeping scope, while at the same time making them newly navigable.

I’d recommend it is what I’m saying.

Another article included in Lobster is ‘Host’, a 2005 profile of talk radio host John Ziegler. This is worth reading for several reasons.

One is a section that gives a fairly straight recounting of Ziegler’s life and career as extracted by Wallace from Ziegler himself.  This is wonderful stuff: you-could-make-it-up-but-they’d-never-believe-it stuff. To give you an idea of the tragicomedy involved in this timeline: Ziegler is fired from a TV hosting job for telling an ‘incredibly tame’ joke (pre-trial) about O.J. Simpson’s guilt. A year or two later, while working on radio, Ziegler is persuaded to do a show about this firing, during which show he retells the joke – and, as a result, gets himself fired for it a second time. Later, at another radio job, Ziegler is fired for using the (actual) N-word when making an argument about how patronizing (the euphemistic phrase) ‘the N-word’ is. And then at another job Ziegler is again fired for telling the story of this firing (despite this time euphemistically avoiding the actual word).

Another reason is the design of the text, which separates digressions and editorial content (often marked ‘editorial content’) out into boxes (and then sometimes into further, nesting boxes) which are located in the text by means of outward arrows. (The idea that there is any way Wallace could keep the editorialising neatly confined to sidenotes is an obviously false one, which Wallace is too smart not to appreciate, and the attempt creates a tension which he both recognises and defuses when he starts giving the notes headings like ‘just clear-eyed dispassionate reason’.) This complicated layout, and the rest of the interior of Consider the Lobster, was designed by Marie Mundaca, and it’s worth going here to read her description of working on it (in concert with Wallace).

The full text of ‘Host’ is also on The Atlantic website, and they’ve managed these notes through the use of clickable links and pop-ups. So ‘Host’ gives a rare opportunity to see the same challenging text (challenging in terms of layout, I mean) thoughtfully designed for both the internet and for print.

In the 2005 non-fiction collection Consider the Lobster

On the website of The Atlantic

Some more images:

Except, of course, there’s a third ‘Host’: the article originally appeared in the print edition of The Atlantic. So another print version, but this one in a hugely different format from a paperback collection, with much larger pages and the possibility of colour, so the result is very different (as you can tell from the only image I managed to track down):

In the print edition of The Atlantic, April 2005, via the if:book post, ‘hyperlinks in print’

]]> http://greaterthanorequalto.net/blog/2009/07/david-foster-wallace-different-hosts/feed/ 2 http://greaterthanorequalto.net/blog/2009/06/offline-1/ http://greaterthanorequalto.net/blog/2009/06/offline-1/#comments Wed, 10 Jun 2009 09:33:52 +0000 Alan Trotter http://greaterthanorequalto.net/blog/?p=235 Whenever I come across a very long article or blog post online that sounds interesting, I tend to bookmark it, then set it aside. Presumably I am imagining that at some point the Internet will run out of amusing comics, inexplicable film trailers and crazy goddamn optical illusions, that Cute Overload will suffer some kind of Cute Outage, and suddenly reading long form writing on my monitor will seem like a fun way to spend my time and my eyes.

Not that I don’t read a lot on-screen (I do) but the longer something is and the more interested I am in it, the more frustrating the idea of reading it in a less than ideal form seems. And even well designed websites tend not to be ideal reading environments.

Happily, while I am a man only with problems, other people offer solutions. At blog.thoughtwax.com, rather than continuing to stockpile long online articles for a day that would never come, Emmet Connolly decided to take them and put them into the more ideal reading environment of a one-off edition of a print-on-demand book: the ‘Instapaper (analogue edition)’.

So following his lead, after a bit of typesetting, some hasty cover design and a wait of just under a week for printing and posting, I had me a copy of Offline #1:

I’ve been very happy with the result. In carting it around the cover’s unpleasantly shiny laminate has already started to separate at the edges – I can’t say I’d want to buy a real book from Lulu – but it served its purpose extremely well. Being conscious that these were articles I could have been reading online made me aware of the way my eye moved around the page, and the pleasure of proper typesetting. And as I assumed they would be, a lot of the things I had filed away for future consumption were a lot better and more enjoyable than the things I often read when it’s just me and my feed reader killing some time.

It cost about £6 to print and about £4 more on postage. Some more pictures follow.

And now my bookmarks folder of things ‘to read’ is not a gloomy, waiting chore, but an opportunity for another pleasant offline read, just as soon as I have enough for volume 2.

This post was 392 words – thank you for reaching the end.