This is all great stuff, and I want to see more of this. Publishers, get on it. From Penguin, two posters of the fantastic covers for the new set of Penguin Deluxe Classics:

Penguin poster of Moby Dick cover, art by Tony Millionaire

Poster from cover of Moby Dick by Herman Melville, art by Tony Millionaire

WhiteNoiseMichaelChoCoverPoster

Poster from cover of White Noise by Don Delillo, art by Michael Cho, design by Paul Buckley

Then the very delightful design blog Kitsune Noir has begun the Kitsune Noir Poster Club by asking five artists to produce a poster based on a book they love. The results of which include another take on Moby Dick:

Moby Dick poster by Mark Weaver for Kitsune Noir

Poster inspired by Herman Melville’s Moby Dick, by Mark Weaver

But I think my two favourites are these, coming from opposite ends of the austerity scale:

Infinite Jest poster by Cody Hoyt for Kitsune Noir

Poster inspired by David Foster Wallace’s Infinte Jest, by Cody Hoyt

Walden poster by Jez Burrows for Kitsune Noir

Poster inspired by Henry David Thoreau’s Walden, by Jez Burrows

The other two titles are Kurt Vonnegut’s Slaughterhouse-Five and Cormac McCarthy’s The Road.

And then there’s Penguin designer and, more importantly, ≥ regular Stefanie Posavec, who has a print at 20x200. It’s based on Walter Benjamin’s ‘The Work of Art in the Age of Mechanical Reproduction’, and uses the same technique to visualize the text as she’s used before for On the Road.

Walter Benjamin print by Stefanie Posavec

Walter Benjamin: A Literary Organism Analysis print, by Stefanie Posavec

I am wishing I had more money right now.

Guys.

Send me money.

I could get a lot of uncomplicated pleasure just looking at this one image:

Valerie Hegarty, 'Rothko Sunset' 2007

But I think there’s more to Valerie Hegarty’s work than just the welcome, sadistic satisfaction of seeing bad things find Rothko.

ValerieHegartyGeorgeWashingtonShipwrecked

Valerie Hegarty, 'Cracked Canyon' 2007

Valerie Hegarty, 'Niagra Falls' 2007

ValerieHegartyUnearthed

They’re beautiful in their own right and tense with an appealing antagonism. And  I love how that last image, in the context of the other work, neatly suggests two contradictory thoughts: tracing a visual similarity between the growth of roots and the destruction of tattered remains, and placing conventional art as itself the destruction of something prior.

See more at Guild & Greyshkul and The Saatchi Gallery.

(via Coudal)

Graham Linehan on Twitter linked to this Life magazine image of children in Paris watching a puppet show. It’s 1963 and a dragon’s just been slain:

The Parisians - children watching a puppet show, Paris 1963

It made me think of the photographer Robbie Cooper’s Immersion project. He filmed children playing video games. The level of involvement’s similar, but the concentration is something else. I don’t know exactly what that says about video games.

Immersion by Robbie CooperImmersion by Robbie CooperImmersion by Robbie Cooper

You can see more images on Robbie Cooper’s own website (just click ‘Simulations’ and then ‘Immersion’), and you really should go and watch this video of the players at the New York Times, from which the stills are taken.

More recently he applied the same technique to adults watching pornography, and the result is almost upsetting it’s so personal. I don’t know where you work, but I think they’d probably appreciated if you were at home before watching this 18 minute video of interviews and watching porn-watching.

Robbie Cooper's Immersion: Porn

UPDATE

Serendipity! Suddenly this becomes another instalment of Advertising Will Eat Us All.

About an hour after I posted this I was flicking through the ol’ feed reader and came across this post on the Creative Review Blog about a new Japanese advertising campaign for the slim PS3 called Playface. As with Immersion, they’re filming people as they game.

PS3 Slim 'Playface' campaignPS3 Slim 'Playface' campaign

Take a look at the website, or the advert:

I don’t know if it’s the context or the people they’ve chosen, but it seems stagier.

And someone in the comments to the Creative Review post also points out this photo series by Phillip Toledano (who feels as if the Playface campaign ‘happily ripped me off’):

Video Gamers by Phillip ToledanoaVideo Gamers by Phillip Toledanoa