Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.

The Second Pass recently linked to this gallery of covers to different editions of Vladimir Nabokov’s Lolita (as well as to this competition for people to give it their own design).

It’s certainly not a book that’s been universally well-served by designers. There are some covers that want to suggest Humbert Humbert’s lascivious gaze but, to avoid straying into the same morally reprehensible territory as Humbert himself, they do so with an image of a full-grown woman rather than a pre-pubescent girl. Others just have illustrations of fairly inept nymphets (there are some real grotesques in there). And there’s also some good design (as you’d hope in a collection of slightly more than 150 images).

Interestingly, tucked away in an old episode of a television programme called USA: The Novel, Nabokov himself flicks through some of these editions:

And here are the jackets of the books he picks up:

1959 Turkish edition of Lolita

1963 French edition of Lolita

1964 German edition of Lolita

1959 Italian edition of Lolita

1958 Dutch edition of Lolita

(It seems to be impossible to find the Nabokov video on the public television website from which it originally comes, but you can see the whole episode embedded at this blog. The different Lolitas appear in part 3, which also features Nabokov reveling in a list he has constructed of things he detests.)

Then there’s this cover of Lolita that never came to be, an abandoned draft John Gall shared in an old interview at Fwis:

Lolita by Vladimir Nabokov, unused design by John Gall

It’s both absolutely nauseating and unbearably elegant, and as such is perhaps the perfect Lolita cover.

Sadly, they let the queasiness get to them and this is the final design they went with (and it still goes to the head of the class):

John Gall Lolita final cover

Graham Linehan on Twitter linked to this Life magazine image of children in Paris watching a puppet show. It’s 1963 and a dragon’s just been slain:

The Parisians - children watching a puppet show, Paris 1963

It made me think of the photographer Robbie Cooper’s Immersion project. He filmed children playing video games. The level of involvement’s similar, but the concentration is something else. I don’t know exactly what that says about video games.

Immersion by Robbie CooperImmersion by Robbie CooperImmersion by Robbie Cooper

You can see more images on Robbie Cooper’s own website (just click ‘Simulations’ and then ‘Immersion’), and you really should go and watch this video of the players at the New York Times, from which the stills are taken.

More recently he applied the same technique to adults watching pornography, and the result is almost upsetting it’s so personal. I don’t know where you work, but I think they’d probably appreciated if you were at home before watching this 18 minute video of interviews and watching porn-watching.

Robbie Cooper's Immersion: Porn

UPDATE

Serendipity! Suddenly this becomes another instalment of Advertising Will Eat Us All.

About an hour after I posted this I was flicking through the ol’ feed reader and came across this post on the Creative Review Blog about a new Japanese advertising campaign for the slim PS3 called Playface. As with Immersion, they’re filming people as they game.

PS3 Slim 'Playface' campaignPS3 Slim 'Playface' campaign

Take a look at the website, or the advert:

I don’t know if it’s the context or the people they’ve chosen, but it seems stagier.

And someone in the comments to the Creative Review post also points out this photo series by Phillip Toledano (who feels as if the Playface campaign ‘happily ripped me off’):

Video Gamers by Phillip ToledanoaVideo Gamers by Phillip Toledanoa

So this excellent edition of Nineteen Eighty-Four has been featured on the finer book cover design blogs recently.

Nineteen Eighty-Four by George Orwell, gray318 design

Nineteen Eighty-Four by George Orwell, design by gray318

Unfortunately, what with the decline of proper journalism and whatnot, nobody thought to ask the really important question here: What renegade genius working an admittedly low-level job in the publisher’s marketing department suggested keeping the title off the cover?

Last year I was a copywriter at Penguin and wrote a lot of blurbs for the Classics lists. So you get used very quickly to seeing your words on books by some of the greatest writers who ever lived. The job was a joy from start to end and there’s not a lack of things it was a thrill to be able to work on.

But getting to use the iconic language of Orwell’s classic like this, and having the editor take the idea to gray318 (who is, you may know, in a league of his own) and have him come up with this absolutely perfect design across front, back and spine (and throw in a couple of endpapers that would have made great Orwell jackets in their own right), was perhaps the best of a lot of gratifying moments.

Here’s the full design:

Nineteen Eighty-Four by George Orwell, gray318 design

Inside front cover of Nineteen Eighty-Four by George Orwell, gray318 design

Inside front cover

Inside back cover of Nineteen Eighty-Four by George Orwell, gray318 design

Inside back cover

So thank you Jon Gray, thank you Penguin and thank you George Orwell. You made me a very happy man.

Nineteen Eighty-Four by George Orwell
Nineteen Eighty-Four by George Orwell

Nineteen Eighty-Four · George Orwell · 9780141191201 · at the Book Depository · at Amazon.co.uk